Tuesday, November 15, 2011

Pat Martino

Pat Martino 002

Pat Martino (born August 25, 1944) is an Italian-American jazz guitarist and composer within the post bop, fusion, mainstream jazz, soul jazz and hard bop idioms. Martin was born Pat Azzara in South Philadelphia and began playing professionally at age 15.

Martino played and recorded early in his career with musicians such as Willis Jackson and Eric Kloss. He also worked with many jazz organists, such as Charles Earland, Jack McDuff, Trudy Pitts, Jimmy Smith, Gene Ludwig, Don Patterson, Richard "Groove" Holmes. Throughout the 1960s and 1970s, Martino made many recordings as a sideman and also under his own name.

Pat Martino_01_10-23-2002_Neferteti Nightclub, Göteborg, Sweden        Pat Martino_02_10-23-2002_Neferteti Nightclub, Göteborg, Sweden


In 1980, Martino underwent surgery as the result of a nearly fatal brain aneurysm. The surgery left him with amnesia, leaving him, among other things, without any memory of the guitar and his musical career. With the help of friends, computers, and his old recordings, Martino made a recovery, and learned to play the guitar again.

His improvisation method, "Conversion to Minor", is often mistakenly thought to be based upon using exclusively minor systems for soloing. In fact, the system involves conceptualizing chord progressions in terms of the relative minor chord/scale, but in practice this seems to be more a way for organizing the fretboard, rather than justifying playing certain tones in terms of whether they are "correct" or not. Martino's lines contain chromatic notes outside any particular IIm7 chord that might be conceptualized over a chord progression; even in the examples he provides in his books and instructional videos. Indeed, on his bulletin board he has stated that he formulated the system more as a way to explain his playing, rather than as something to use to create music. In his own words, "although the analysis of some of my recorded solos have been referred to as modal, personally I’ve never operated in that way. I’ve always depended upon my own melodic instinct, instead of scale like formulas".

PatMartino_TheBlueNote_Milan,Italy_05-01-2003

Martino's return to music started once again with the 1987 recording The Return. In 2006, Mobile Fidelity Sound Lab reissued Martino's album East! on Ultradisc UHR SACD. Martino tours worldwide. He was awarded 2004 Guitar Player of the Year, Downbeat Magazine's 2004 Reader's Poll.

Martino's new release "Live at Blues Alley" (on APM Records, executive producer Darryl J. Brodzinski) will be released on October 11, 2011.

BluesAlley_PatMartino1_10-05-2006   BluesAlley_PatMartino2_10-05-2006   BluesAlley_Pat_Sign_10-05-2006

Pat Martino “LIVE at Blues Alley” in Washington, DC


Pat_Playing_Benedetto_2

Pat's Current Strings:

Pat uses GHS strings of gauges:

.015 .017 .024 .032 .042 .052
.016 .018 .026 .036 .048 .056

depending on the performance of a particular guitar.


Pat Martino has been a teacher to most all of my guitar heroes.  His guitar work is mystical yet timeless, making him a legend amongst the top jazz guitarists.  George Benson, Lee Ritenour, Larry Carlton, Al Di Meola and others have learned a lot and played along with Pat over the years that his own jazz style has  influenced so many other guitarists that his licks, chord phrasings, etc. will live on forever.

I hope you enjoyed this look at a jazz artist that is a Icon amongst all jazz guitarists.  There’s seems to be a little more jazz style guitar licks being implemented in todays blues and blues rock music than there ever was in the past so it helps to know a little about each type of music.

Have a wonderful evening and remember to give your kids a hug and kiss to show them that you love them.

Until next time, “Same Guitar Place; Same Guitar Channel . !”

Musician By Night . . .

MusicianByNight_01-Large

No comments:

Post a Comment