Saturday, February 18, 2012

Mike Bloomfield,

AKA Michael Bernard Bloomfield

Michael Bloomfield 006Born: 28-Jul-1943
Birthplace: Chicago, IL
Died: 15-Feb-1981
Location of death: San Francisco, CA
Cause of death: Accident - Overdose
Remains: Buried, Hillside Memorial Park, Culver City, CA

Gender: Male
Religion:
Jewish
Race or Ethnicity: White
Sexual orientation: Straight
Occupation:
Guitarist

Nationality: United States
Executive summary: Guitarist, Paul Butterfield Blues Band

Paul Butterfield Blues Band, Guitarist
Electric Flag, Guitarist
Bob Dylan, Backup for Highway 61 Revisited
Risk Factors:
Heroin, Cocaine, Insomnia

FILMOGRAPHY AS ACTOR
Festival! (23-Oct-1967) · Himself

Official Website: http://www.mikebloomfield.com/


Michael Bloomfield Signature '59 Les Paul Sunburst

Michael Bloomfield's '59 Gibson Les Paul

Few American Guitarists have done more to promote the Gibson Les Paul as the guitar of choice for blues players than Michael Bloomfield.

Two questions are often asked by Bloomfield fans: Where is Michael's '59 Les Paul Standard, and when will Gibson issue a signature Michael Bloomfield Les Paul?

The answer to the first question is at present incomplete. Michael lost his famed '59 Gibson Les Paul Sunburst when he abandoned it in Canada, probably during a gig in Vancouver in 1974 or '75. The story goes that Michael left before completing the date and the club owner kept the guitar as compensation for his losses. The Sunburst was later sold to a private collector who has preferred to remain anonymous. Wherever its present location, fans can be assured that the instrument is in the hands of someone who knows its value, both as a rare Gibson Les Paul and as a revered '60s Icon.

As for the second question, the Michael Bloomfield Estate is happy to announce that a Michael Bloomfield signature 1959 Les Paul Standard Sunburst model is now available at Gibson. The company unveiled the model at the NAMM show in January 2009. The Bloomfield family would like to thank Gibson, and particularly Pat Foley, who headed up the project. This was a major undertaking because they did not have access to the original guitar. A considerable amount of time, using expert guitar technicians and photos of Michael in performance with the '59, went into the forensics of recreating the signature instrument. That care and dedication to getting the nearly-handmade reproduction right is reflected in its cost.

           

Says Gibson, "Bloomfield's technique is without equal, and the tone achieved using his beloved Les Paul is one of the most recognizable of all time.


 

Michael wailing on his '59 Gibson Les Paul Sunburst at the Fillmore West in May 1970. Photo by Dave Coleman, courtesy of Don Mock

 

 


Michael's '59 Gibson Les Paul Sunburst originally came from Dan Erlewine, the world-renowned guitarist, guitar technician and repair artist. He traded it to Michael for Michael's, 1954 Gibson Les Paul Goldtop (and $100).

Dan Erlewine performing with his blues band, the Prime Movers, in 1966. He's playing the 1959 Gibson Les Paul Standard Sunburst guitar that was to become Michael Bloomfield's in the summer of 1967.

 

  Photo courtesy of Dan Erlewine


Michael Bloomfield Discography

Compiled by Bob Janicki (Musician By Night)

This is a listing of all the known Bloomfield recordings in LP and CD formats. 


CD_Analine - Michael Bloomfield by Michael Bloomfield (2007) - IMPORT   CD_Best of by Michael Bloomfield (1997)   CD_Between the Hard Place & The Ground - Cruisin for by Michael Bloomfield (2008) - IMPORT   CD_Don't Say That I Ain't Your Man - Essential Blues by Michael Bloomfield (Jazz)

CD_If You Love These Blues - Play 'Em As You Please by Michael Bloomfield (2004)   CD_I'm with You Always by Michael Bloomfield (2008)   CD_Live Adventures Of Michael Bloomfield & Al Kooper by Mike Bloomfield and Al Kooper (1997) - LIVE   CD_LIVE at Bill Grahams Fillmore West 1969 by Michael Bloomfield and Nick Gravenites (2009)

CD_My Labors by Michael Bloomfield Nick Gravenites (2008)   CD_Shake Rattle & Blues by Big Joe Turner and Michael Bloomfield (2011)   CD_Super Session by Al Kooper, Mike Bloomfield and Stephen Stills (2003)   Michael Bloomfield 001

CD_In Memory of Michael Bloomfield by Ford Blues Band (2002)   CD_Blues Gospel & Ragtime Guitar Instrumentals by Michael Bloomfield (1993)   CD_Fillmore East - The Lost Concert Tapes 12-13-1968 by Al Kooper and Michael Bloomfield (2008)   CD_Red Hot & Blues by Michael Bloomfield (2000) - IMPORT

CD_It's Not Killing Me by Michael Bloomfield (2009) - IMPORT   CD_Junko Partner by Michael Bloomfield (2003)   CD_Knockin' Myself Out by Michael Bloomfield (2002)   CD_Prescription For The Blues by Michael Bloomfield (2011)

CD_Super Session by Al Kooper, Mike Bloomfield and Stephen Stills (2003)   CD_The Root of Blues by Michael Bloomfield (1994)   CD_Wee Wee Hours by Michael Bloomfield (2006)


Michael Bloomfield 028

Michael Bloomfield was another very influential American blues guitarist, singer and songwriter that is worth listening to, if you’re really a blues connoisseur. Above is a sampling of his CD’s so when you get the opportunity, you may want to pick one up the next time you’re at your favorite music store or if you like use the web and purchase yours from http://www.Amazon.com .

I’ll continue my search for other influential blues and blues-rock artists from the late 1800’s to current times. If you’re interested in any particular artist, just let me know by leaving a comment and I’ll do all the research, then publish a post in the artists name. I love to learn about other blues and jazz guitarists and who they played with during what period of time.

Once again, please feel free to leave a comment (now and then), if you like what you read, or have any constructive ideas you’d like to share with me so I can build a better site for all readers to enjoy and share with their friends.

Until next time;

Musician By Night . . .

MusicianByNight_01-Large


Saturday, November 26, 2011

The NEW Gibson USA “Les Paul Classic Plus”

My last post about the NEW Gibson USA "Les Paul Classic Plus" did not publish properly and it ended up causing a multitude of errors on my site. Therefore I had no choice but to delete it in it's entirety. I'm very sorry, I'll try to obtain more information about the new model Les Paul Classic Plus and share it with all of you as soon as I can get my hands on it.

Have a great day, I'll be back with another NEW post later tonight or tomorrow. Until next time, “Same Guitar Place; Same Guitar Channel . . !”

Musician By Night . . .

Friday, August 26, 2011

Hurricane Irene and “Sweet Baby Anita”:

Well what can I say, because of Hurricane Irene, I won’t be publishing anything new after this post this weekend.  My time will be spent getting prepared for the storm; putting away lawn furniture and tools that can be tossed around, to and fro due to the rapid winds. We’ll also be packing up all the garbage that is in the outside garbage cans and putting it inside our garage with the lawn mower and other items that need to be under cover.  Then we’ll be riding the storm through the weekend, hopefully without loosing all power.

I know I’ll be playing my guitars as long as there is power and hanging out with best friend and fiancé all weekend long after we’re thru Hurricane Proofing our home & property.  Now, I have a surprise for her that I hope will make her feel more special than ever before.  Just yesterday, I bought a barely used, (mint condition) PRS Starla Bigsby guitar from Nik Kosmas at the Guitar Center in Glen Burnie, MD.   Of course when I told my better half about my newest purchase, she wasn’t real happy with me because I still have a Fender Stratocaster on hold that I’m paying for. another four weeks or two payments.

PRSGuitars_LOGO

However as you know, all of us guitarists give our ax’s girls names; it’s a tradition.  So, in honor of the lover of my life (no, not my Les Paul stupid . . . ) I named my newest guitar “Sweet Baby Anita” or just “Anita” for short. I really hope she knows how much she means to me and in turn, how much the guitar reminds me of her.  Here are a couple of photos of “Anita”, I’m sure you’ll agree with me.

PRS Starla Bigsby 001   PRS Starla Bigsby 002d  PRS Starla Bigsby 004d

2011 PRS Starla Bigsby guitar w/ Santana Headstock, Neck & Fingerboard

DSC02427         DSC02436

My Better Half ”ANITA”, now she’s my real love !

Well, we have to get started on the hurricane preparation or else I’ll never be able to get to the Guitar Center to be able to pick-up “Sweet Baby Anita” tonight or tomorrow morning.  I hope you all stay safe this weekend thru the storm and you don’t let Hurricane Irene nock you down.  Actually, this is a very good time for all of us to cuddle together with our families and give them all big hugs and kisses to show them how much we love them.  Didn't Billy Gibbons write a song about given’ me all your hugs and kisses too?  Boy he was right for a Good Ole’ Southern Rocker wasn’t he?

Until after Irene;

Musician By Night

MusicianByNight_04Small

Wednesday, August 3, 2011

Modifications to My Fender Strat:

I’m sorry I have been very busy at work these past few days and it hasn’t left me much time to dedicate to my blog.  Therefore, I had to take a few days off and regroup for myself, but now I’m back and I hope without any disruptions for a while.

Well, if you’ve been following my blog, you’ll know that recently I purchased my first Fender Stratocaster, and basically I love it.  However, it has become quite obvious to me already, since I’ve been playing it non-stop from the day I got it in my hands, that it has some irritating features that I didn’t notice because I loved the way the guitar played and felt in my hands.  It has a very sweet neck that plays very quick and that sold me on the guitar.

DSC07882 (3)      DSC07892

However, with that being said, when I hooked my Strat up and played it through my effects boards (POD xt LIVE and my Pedaltrain with several individual effects pedals) it created an inordinate amount of hum in the 1st, 3rd and 5th position of the 5 position pick-up switch.  When the switch was on position 2 or 4, the hum was nearly imperceptible.  I then hooked up my Gibson Les Paul and as I remembered, there was no hum whatsoever.  So, that’s what started me on my hunt for new pick-ups for my Strat.  

The following are the various models that Fender offers but after conversations with guitarists that I know and sales reps at Sweetwater, Musicians Friend and the Guitar Center, I’ve decided to go with the “Fender Hot Noiseless Strat Pickups”.  I’ve talked with my contact at Musicians Friend and they’ve given me the best deal on that set of pickups, so I’ll be purchasing them shortly.

 

Fender Hot Noiseless Strat Pickups  . . . . . . . . . . . . . . . . .  099-2105-000-medium

Designed Exclusively for Jeff Beck

Jeff Beck wanted a bigger sound and better tonal dynamics than a standard single-coil pickup could deliver, and he got exactly what he was after in the new hotter Noiseless design. Warm and punchy neck pickup tone with a bluesy feel, and a bridge pickup that screams at high gain. The clean tone is clear and very full. These pickups deliver the best definition and sensitivity that has ever graced the Strat.

Features:

  • Designed for Jeff Beck
  • No 60-cycle hum
  • Hot, edgy single-coil sound

Fender Vintage "Noiseless" Stratocaster Pickups . . . . . . . . . . .  099-2111-000-medium

Fender Custom '54 Stratocaster Pickups . . . . . . . . . . . . . . . . . . .  099-2112-000-medium

Fender Texas Special Stratocaster Pickups . . . . . . . . . . . .   099-2111-000-xlarge

Fender Custom Shop '69 Strat Pickups . . . . . . . . . . .   DV019_Jpg_Regular_301637

Fender Fat 50’s Strat Pickups . . . . . . . . . . . . . . . . . . . . .  Fender Fat 50's Pickup Set

Fender Stratocaster Lace Sensor Pickups . . . . . . . . . . . . . .  Fender Stratocaster Lace Sensor Pickups


The next modification that I plan to move forward with is the addition of the Vintage 62’ Reissue Fender Tremolo Bridge Set per the photo below.  I’m not an experienced whammy bar user but the only way to get there is to go there and going there with the proper equipment is the way to go.

62' Reissue Fender Tremolo Bridge Set


I also plan to add the Fender Schaller Locking Tuners because I’ve noticed that this guitar does require tuning more often than my Gibson Les Paul or my Gibson B.B. King “Lucille”.  Therefore, it must be in the tuners so making this change should eliminate that problem for me.

Fender Schaller Locking Tuners

Brushed-finish Fender Schaller Locking Tuners provide solid tuning stability by clamping the cut end of the string with a hand-tightened lock screw. There's no play in the string and you tune normally. A great way around locking nut systems that don't allow tuning on the fly. Highest quality manufacture, Schaller Locking Tuners are the same tuners used on Fender American Deluxe Series guitars.

Features:

  • Brushed Finish
  • Super High Quality
  • Great Tuning Stability
  • Tune on the Fly
  • Same as on Fender’s American Deluxe Series


The last modification will be adding the Fender Strap Locks and Buttons Set:

Fender Strap Locks and Buttons Set

I’ve used many of the other brands in the past and they all seem to do the job well as long as you install them properly.  I know I hate to use a larger screw with the new strap lock set, no matter which brand is used.  However, if you’re able to match the screw size with your new strap lock set, it’ll make it much easier to install and cause you less stress by not enlarging those screw holes.

Well for the most part, these are the most popular modifications that are done to the Fender Stratocaster guitars.  Of course companies such as DiMarzio, Seymour-Duncan and others manufacture pickups that are made specifically for the Fender Strat and those that are designed to eliminate the hum that I talked about earlier.  They also have humbucker style pickups that fit in the cutout of the standard single coil pickup design where they stack the coils in lieu of lying them side-by-side which creates a standard humbucker style pickup design.

I can’t wait to order the pickups so I can begin the modification process to my Strat.  She’ll be one hell of a axe when I’m through with her.  Time to end this post and start practicing for the night.  I’ve got a lot of catching up to do because of the past few days of work overload.  Have a great evening and don’t forget to give your kids a hug.  Until next time.

Bob