Friday, November 16, 2012

The Yardbirds, an English blues-rock band from the 60’s;

 

The Yardbirds_1966_From_left_Jeff Beck_Jimmy Page_Chris Dreja_Keith Relf_Jim McCarty.

The Yardbirds, (L-R) Jeff Beck, Jimmy Page, Chris Dreja, Keith Relf and Jim McCarty

The Yardbirds are an English blues-rock band that had a string of hits in the mid 1960s, including "For Your Love", "Over Under Sideways Down" and "Heart Full of Soul". The group is notable for having started the careers of three of rock's most famous guitarists: Eric Clapton, Jeff Beck, and Jimmy Page, all of whom were in the top five of Rolling Stone's 100 Top Guitarists list (Clapton at No. 2, Page at No. 3, and Beck at No. 5). A blues-based band that broadened its range into pop and rock, the Yardbirds had a hand in many electric guitar innovations of the mid-1960s, such as feedback, "fuzztone" distortion and improved amplification. Pat Pemberton, writing for Spinner, holds that the Yardbirds were "the most impressive guitar band in rock music". After The Yardbirds broke up in 1968, their lead guitarist Jimmy Page founded what became Led Zeppelin.

 

The Yardbirds 004

The bulk of the band's most successful self-written songs came from bassist/producer Paul Samwell-Smith who, with singer/harmonica player Keith Relf, drummer Jim McCarty and rhythm guitarist/bassist Chris Dreja, constituted the core of the group. The band reformed in the 1990s, featuring McCarty, Dreja and new members. The Yardbirds were inducted into the Rock and Roll Hall of Fame in 1992. They were included in Rolling Stone's list of the "100 Greatest Artists of All Time", and VH1's "100 Greatest Artists of Hard Rock".

The Yardbirds on Top Beat_Dec 9, 1964
The Yardbirds, on Top Beat, Dec. 9, 1964
Beginnings:

The band formed in the south-west London suburbs. Relf and Samwell-Smith were originally in a band named the Metropolitan Blues Quartet. After being joined by Dreja, McCarty and Topham in late May 1963, they decided to change the name, and after a couple of gigs in September 1963 as the Blue-Sounds, they settled on The Yardbirds, which was both an expression for hobos hanging around rail yards waiting for a train and also a reference to the jazz saxophonist Charlie "Yardbird" Parker.

Top Topham

At Kingston Art School in late May 1963 they first performed as a backup band for Cyril Davies, and achieved notice on the burgeoning British rhythm and blues scene in September 1963 when they took over as the house band at the Crawdaddy Club in Richmond, succeeding the Rolling Stones. They drew their repertoire from the Chicago blues of Howlin' Wolf, Muddy Waters, Bo Diddley, Sonny Boy Williamson II and Elmore James, including "Smokestack Lightning", "Good Morning Little School Girl", "Boom Boom", "I Wish You Would", "Rollin' and Tumblin'", and "I'm a Man".

 

Eric Clapton 005

Original lead guitarist (Anthony) Top Topham left and was replaced by Eric Clapton in October 1963. Crawdaddy Club impresario Giorgio Gomelsky became The Yardbirds' manager and first record producer. Under Gomelsky's guidance The Yardbirds signed to EMI's Columbia label in February 1964. Their first album was the "live", Five Live Yardbirds, recorded at the legendary Marquee Club in London. Blues legend Sonny Boy Williamson II invited the group to tour England and Germany with him, a union that later engendered another live album.

Breakthrough success and Clapton departure

The quintet cut two singles, "I Wish You Would" and "Good Morning, School Girl", before their third, "For Your Love", a Graham Gouldman composition, provided their first major hit. It sold over one million copies, and was awarded a gold disc. Clapton, at the time a blues purist, left the group in protest to join John Mayall & the Bluesbreakers and then later, Cream. Clapton recommended Jimmy Page, a prominent young studio session guitarist, as his replacement. Page, uncertain about giving up his lucrative studio work and worried about his health, recommended in turn his friend Jeff Beck. Beck played his first gig with The Yardbirds only two days after Clapton's departure in May 1965.

Jeff Beck's tenure

Jeff Beck

Beck's experiments with fuzz  tone, feedback, and distortion fit well into the increasingly raw style of British beat music and The Yardbirds began to experiment, producing arrangements reminiscent of Gregorian chant and various European and Asian styles ("Still I'm Sad", “Hot House of Omagarashid", "Farewell", "Ever Since the World Began") though their commercial appeal began to wane. Beck was voted No. 1 lead guitarist of 1966 in the British music magazine Beat Instrumental.

The Beck-era Yardbirds produced a number of memorable recordings, single hits like "Heart Full of Soul", Bo Diddley's "I'm a Man", and "Shapes of Things" and The Yardbirds album (known popularly as Roger the Engineer and first issued in the U.S. in an abridged version called Over Under Sideways Down).

The Yardbirds 006

The Yardbirds embarked on their first U.S. tour in late August 1965. A pair of albums was put together for the U.S. market; For Your Love (which included an early take of "My Girl Sloopy"), and “Havin' a Rave Up with The Yardbirds”, half of which came from “Five Live Yardbirds”. There were three more U.S. tours during Beck's time with the group. A brief European tour took place in April 1966.

On 1966 Yarbirds participated in the Sanremo Music Festival with song Paf...Bum!, with Italian songwriter Lucio Dalla.

The Beck/Page line-up:

In June 1966, shortly after the sessions that produced Yardbirds (AKA Roger The Engineer), Samwell-Smith decided to leave the group and work as a record producer. Jimmy Page agreed to play bass until rhythm guitarist Dreja had rehearsed on that instrument. The Beck–Page tandem is heard on the single "Happenings Ten Years Time Ago" (a psychedelic rock highlight), though this featured Beck and Page on twin lead guitar, with John Paul Jones on bass: it was backed with "Psycho Daisies", which featured Beck on lead guitar and Page on bass (the B-side of the U.S. single, "The Nazz Are Blue", features a rare lead vocal by Beck).


The_Yardbirds_1966

The Yardbirds featuring both Jeff Beck and Jimmy Page, taken from the Michelangelo Antonioni film Blowup, c 1966.

The Beck–Page era Yardbirds also recorded "Stroll On", a reworking of "Train Kept A-Rollin'" recorded for the Michelangelo Antonioni film Blowup, though Relf changed the lyrics and title to avoid seeking permission from the copyright holder. "Stroll On" features a twin lead-guitar break by Beck and Page. Their appearance in Blowup came after The Who declined and The In-Crowd were unable to attend the filming. The Velvet Underground were also considered for the part but were unable to acquire UK work permits. Director Michelangelo Antonioni instructed Beck to smash his guitar in emulation of The Who's Pete Townshend: the guitar that Beck smashes at the end of their set is a cheap German-made Hofner instrument.

 

The Yardbirds 005

The Beck–Page lineup recorded little else in the studio and no live recordings of the dual-lead guitar lineup have surfaced (save a scratchy cover of the Velvet Underground's "I'm Waiting for the Man"). The Beck–Page Yardbirds recorded a commercial for a milkshake product "Great Shakes" using the opening riff of "Over Under Sideways Down", featured on 1992's Little Games Sessions & More compilation.

There was also one recording made by Beck and Page with John Paul Jones on bass, Keith Moon on drums and Nicky Hopkins on piano—"Beck's Bolero", a piece inspired by Ravel's "Bolero", credited to Page (Beck also claims to have written the song). "Beck's Bolero" was first released as the B-side of Beck's first solo single, "Hi Ho Silver Lining" and was included on his first album, Truth.

The Yardbirds 002
The Yardbirds' final days: the Page era

Beck was fired from the group for being a consistent no-show—as well as for difficulties caused by his perfectionism and explosive temper, after a tour stop in Texas in late October 1966; as such, The Yardbirds continued as a quartet for the remainder of their career. Page became the new lead guitarist and introduced his technique of playing with a cello bow (suggested to him by session musician David McCallum, Sr.) and the use of a wah-wah pedal.

Meanwhile, The Yardbirds' commercial fortunes were declining. "Happenings Ten Years Time Ago" had only reached No. 30 on the U.S. Hot 100 and had fared even worse in Britain. A partnership with Columbia's hit-making producer, Mickie Most, failed to reignite their commercial success. The "Little Games" single released in spring 1967 flopped so badly in the UK that EMI did not release another Yardbirds record there until after the band broke up (a UK release of the "Goodnight Sweet Josephine" single was planned the following year, but was eventually cancelled). A version of Tony Hazzard's "Ha Ha Said the Clown"—on which only one band member, Relf, actually performed—was the band's last single to crack the U.S. Top 50, peaking at No. 44 in Billboard in the summer of 1967. Their final album, “Little Games”, released in America in July, was a commercial and critical non-entity. A cover of Harry Nilsson's "Ten Little Indians" hit the U.S. in the fall of 1967 and quickly sank.

Jimmy Page 02

The Yardbirds spent most of the rest of that year touring in the States with new manager Peter Grant, their live shows becoming heavier and more experimental. The band rarely played their 1967 singles on stage, preferring to mix the Beck-era hits with blues standards and covers from groups such as The Velvet Underground and American folk singer Jake Holmes, whose "Dazed and Confused", with lyrics rewritten by Relf, was a live staple of The Yardbirds' last two American tours. The latter went down so well that Page selected it for the first Led Zeppelin record, on which it appears with further revised lyrics and Page credited as writer.

 

Keith Relf

By 1968 Relf and McCarty wished to pursue a style influenced by folk and classical music while Page, at a time when the psychedelic blues-rock of Cream and the Jimi Hendrix Experience was enormously popular, wanted to continue with the kind of "heavy" music for which Led Zeppelin would become famous. Dreja was developing an interest in photography.

 


Jim McCarty

By March, Relf and McCarty had decided to leave, though the other two managed to persuade them to stay at least for one more American tour. The Yardbirds' final single, recorded in January and released two months later, reflected these divergences. The A-side, "Goodnight Sweet Josephine", was in the same vein as their Mickie Most-produced singles of the previous year, while its B-side, "Think About It" (later covered by Aerosmith on their Night in the Ruts album), featured a proto-Zeppelin Page riff and snippets of the "Dazed" guitar solo. This last single did not even crack the Hot 100.

A concert and some album tracks were recorded in New York City in March (including the currently unreleased song "Knowing That I'm Losing You", an early version of a track that would be re-recorded by Led Zeppelin as "Tangerine"). All were shelved at the band's request, although once Led Zeppelin were successful Epic tried to release the concert material as Live Yardbirds: Featuring Jimmy Page. The album was quickly withdrawn after Page's lawyers filed an injunction.

On 7 July 1968, the Yardbirds played their final gig at Luton College of Technology in Bedfordshire, England.


 
The Yardbirds 001

The Yardbirds and Led Zeppelin:

Jimmy Page

Jimmy Page and Chris Dreja, with a tour scheduled for the Autumn in Scandinavia, saw the break-up as an opportunity to put a new lineup together with Page as producer and Grant as manager. Procol Harum's B.J. Wilson, Paul Francis, and session man Clem Cattini, who'd guested on more than a few Yardbirds tracks under Most's supervision, were considered as drummers. Young vocalist and composer Terry Reid was asked to replace Relf but declined because of a new recording contract with Most and recommended the then-unknown Robert Plant.

Robert Plant 03

Plant, in turn, recommended his childhood friend John Bonham on drums. Dreja bowed out to pursue a career as a rock photographer and bassist/keyboardist/arranger John Paul Jones—who, like Cattini, had worked with Page on countless sessions, including several with The Yardbirds—was recruited. Rehearsals began in August; in early September, Page's revised Yardbirds embarked on the Scandinavian tour after which the group returned to England to produce an album, still billed as The Yardbirds as late as October 1968.

 

John Bonham (Drummer) 02

While Page's new roster still played a few songs from The Yardbirds' canon—usually "Train Kept A-Rollin'," "Dazed and Confused," or "For Your Love"—a name (and identity) change was in order as the Autumn of 1968 drew to a close. This may have been motivated, at least in part, by a cease-and-desist order from Dreja, who claimed that he maintained legal rights to the "Yardbirds" name; other reports indicate it was Page's desire to wipe the slate clean. Whatever the reason, the band restyled itself "Led Zeppelin", a term believed to have been coined, originally, by Keith Moon in reference to the supergroup that had performed on "Beck's Bolero". Moon had quipped that a Beck/Jones/Hopkins/Moon/Page lineup would go down "like a lead zeppelin." The spelling of "lead" was changed to avoid confusion over its pronunciation. This effectively closed the books on The Yardbirds—at least by name—for the next 24 years.

John Bonham Drum Set Timpani

 


John Paul Jones (Bass Player) 01   Robert Plant 02


 

After the Yardbirds:

Jim McCarty drums The Yardbirds 1963–1968, 1992-Present

Jim McCarty drums The Yardbirds 1963–1968, 1992–present

Keith Relf 02

Vocalist Keith Relf and drummer Jim McCarty formed an acoustic rock group called Together and then Renaissance, which recorded two albums for Island Records over a two-year period. McCarty formed the group Shoot in 1973. Keith Relf, after producing albums for Medicine Head (with whom he also played bass) and Saturnalia, resurfaced in 1975 with a new quartet, Armageddon; a hybrid of heavy metal, hard rock and folk influences, which now included former Renaissance band mate Louis Cennamo. They recorded one promising album before Relf died in an electrical accident in his home studio on 14 May 1976. In 1977, Illusion was formed, featuring a reunited lineup of the original Renaissance, including drummer Jim McCarty and Keith's sister Jane Relf.

 

Chris Dreja

In the 1980s Jim McCarty, Chris Dreja and Paul Samwell-Smith formed a short-lived but fun Yardbirds semi-reunion called  “Box of Frogs”, which occasionally included Jeff Beck and Jimmy Page plus various friends with whom they had all recorded over the years.

 

Paul Samwell-Smith 02

Jim McCarty was also part of 'The British Invasion All-Stars' with members of Procol Harum, Creation, Nashville Teens, The Downliners Sect and The Pretty Things. Phil May and Dick Taylor of The Pretty Things, together with drummer Jim McCarty, recorded 2 albums in Chicago as The Pretty Things-Yardbirds Blues Band "The Chicago Blues Tapes 1991" and "Wine, Women, Whiskey", both produced by George Paulus.

The Yardbirds were inducted into the Rock and Roll Hall of Fame in 1992. Nearly all the original surviving musicians who had been part of the group's heyday, including Jeff Beck and Jimmy Page, appeared at the ceremony. Eric Clapton, whose Hall Of Fame induction here was the first of three, was unable to attend because of his obligations while recording and working on a show for the MTV Unplugged series. Accepting the induction on behalf of the late Keith Relf were his wife April and son Danny.

Reformation:

The Yardbirds at Langueux (France) 9 September 2006, left to right_John Idan_Jim McCarty (behind the drums) & Chris Dreja

The Yardbirds at Langueux (France) 9 September 2006, left to right: John Idan, Jim McCarty (behind the drums) and Chris Dreja. Photo: Corentin Lamy.

In 1992, Peter Barton from Rock Artist Management contacted Jim McCarty about the prospect of reforming The Yardbirds. Jim was interested but only if Chris Dreja would agree, but at the time Jim thought it highly unlikely that Chris would want to tour again. Peter Barton then contacted Chris Dreja, who after some gentle persuasion agreed to give it a try. Their debut gig was booked at The Marquee club in London along with the newly reformed Animals. It was a great success. The lineup featured John Idan handling bass and lead vocals. Peter Barton managed the band and booked all their dates for over a decade. Peter still works with the band on occasion.

John Idan

In 2003, a new album, “Birdland”, was released under The Yardbirds name on the Favored Nations label by a lineup including Chris Dreja, Jim McCarty, and new members Gypie Mayo (lead guitar, backing vocals), John Idan (bass, lead vocals) and Alan Glen (harmonica, backing vocals), which consisted of a mixture of new material mostly penned by McCarty and re-recordings of some of their greatest hits, with guest appearances by Joe Satriani, Steve Vai, Slash, Brian May, Steve Lukather, Jeff "Skunk" Baxter, John Rzeznik, Martin Ditchum and Simon McCarty. Also, Jeff Beck reunited with his former bandmates on the song "My Blind Life". And then there was the rare and improbable guest appearance on stage in 2005 by their first guitarist from the 1960s, Top Topham.

Gypie Mayo

Since the release of Birdland, Gypie Mayo has been briefly replaced by Jerry Donahue, and subsequently in 2005 by the then 22-year-old Ben King, while Alan Glen has been replaced by Billy Boy Miskimmin from Nine Below Zero fame.

In 2007 The Yardbirds released a live CD, recorded on July 19, 2006, entitled Live At B.B. King Blues Club (Favored Nations), featuring the McCarty, Dreja, Idan, King and Miskimmin line-up.

Jerry Donahue   Ben King


The first episode of the 2007/2008 season for The Simpsons featured The Yardbirds' "I'm A Man" from the CD Live At B.B. King Blues Club (Favored Nations).

According to his website, John Idan resigned from The Yardbirds in August 2008, although his last gig with them was on Friday 24 April 2009, when they headlined the first concert in the new Live Room venue at Twickenham rugby stadium. This was also Alan Glen's last gig with the band after temporarily standing in when Billy Boy Miskimmin was unavailable.

Idan and Glen were replaced by Andy Mitchell (lead vocals, harmonica, acoustic guitar) and David Smale (bass, backing vocals), brother of the virtuoso guitarist Jonathan Smale.

Chris Dreja sat out the US Spring 2012 tour to recover from an illness. It is uncertain whether or not he will be joining the band on their upcoming tour.

 


List of The Yardbirds members

The Yardbirds is an English blues-rock band that was formed in the 1960s.

 

Current Member List:  (Touring Band)

  • Jim McCarty - drums, backing vocals (1963–1968, 1992–present)
  • Ben King - lead guitar (2005–present)
  • David Smale - bass, backing vocals (2009–present)
  • Andy Mitchell - lead vocals, harmonica, acoustic guitar (2009–present)
(1963–1968) Member List:  (Original lineup)
(Late May 1963 - October 1963)
  • Keith Relf - lead vocals, harmonica
  • Anthony "Top" Topham - lead guitar
  • Chris Dreja - rhythm guitar
  • Paul Samwell-Smith - bass, backing vocals
  • Jim McCarty - drums, backing vocals

Clapton replaces Topham
(October 1963 - February 1965)

  • Keith Relf - lead vocals, harmonica
  • Eric Clapton - lead guitar
  • Chris Dreja - rhythm guitar
  • Paul Samwell-Smith - bass, backing vocals
  • Jim McCarty - drums, backing vocals

Beck replaces Clapton
(March 1965 - June 1966)

  • Keith Relf - lead vocals, harmonica
  • Jeff Beck - lead guitar, backing vocals
  • Chris Dreja - rhythm guitar
  • Paul Samwell-Smith - bass, backing vocals
  • Jim McCarty - drums, backing vocals, percussion

Page replaces Samwell-Smith
(June 1966 - September 1966)

  • Keith Relf - lead vocals, harmonica
  • Jeff Beck - lead guitar
  • Chris Dreja - rhythm guitar, bass
  • Jimmy Page - bass, guitar
  • Jim McCarty - drums, backing vocals, percussion

Beck gets fired
(November 1966 - July 1968)

  • Keith Relf - lead vocals, harmonica
  • Jimmy Page - guitar
  • Chris Dreja - bass
  • Jim McCarty - drums, backing vocals, percussion

New Yardbirds
(September 1968 - October 1968)
become
Led Zeppelin *

  • NOTE: Led Zeppelin, while deriving from the final lineup during the original tenure of "The Yardbirds" is considered a completely different group from the "Yardbirds" dominated by Chris Dreja and Jim McCarty. However, this article views Led Zeppelin as a continuation, in sorts, of The Yardbirds, due to their billing as "The New Yardbirds" for a few live dates during the late 1960s.
1992-present:  First lineup of the reformed group
(1992)
  • Chris Dreja - guitar
  • Rod Demick - bass, harmonica
  • Jim McCarty - drums, vocals

Idan Joins as lead guitarist and vocalist
(1992–1993)

  • John Idan - lead guitar, lead vocals
  • Chris Dreja - rhythm guitar, backing vocals
  • Rod Demick - bass, harmonica, backing vocals
  • Jim McCarty - drums, backing vocals

Idan replaces Demick on bass, Garman & Majors join
(1994–1995)

  • Ray Majors - lead guitar, backing vocals
  • Chris Dreja - rhythm guitar, backing vocals
  • John Idan - bass, lead vocals
  • Laurie Garman - harmonica
  • Jim McCarty - drums, backing vocals

Mayo replaces Majors
(1995–1996)

  • Gypie Mayo - lead guitar, backing vocals
  • Chris Dreja - rhythm guitar, backing vocals
  • John Idan - bass, lead vocals
  • Laurie Garman - harmonica
  • Jim McCarty - drums, backing vocals

Glen replaces Garman
(1996–2003)

  • Gypie Mayo - lead guitar, backing vocals
  • Chris Dreja - rhythm guitar, backing vocals
  • John Idan - bass, lead vocals
  • Alan Glen - harmonica, percussion
  • Jim McCarty - drums, backing vocals

Miskimmin replaces Glen
(2003–2004)

  • Gypie Mayo - lead guitar, backing vocals
  • Chris Dreja - rhythm guitar, backing vocals
  • John Idan - bass, lead vocals
  • Billy Boy Miskimmin - harmonica, percussion
  • Jim McCarty - drums, backing vocals

Donahue replaces Mayo
(2004–2005)

  • Jerry Donahue - lead guitar
  • Chris Dreja - rhythm guitar, backing vocals
  • John Idan - bass, lead vocals
  • Billy Boy Miskimmin - harmonica, percussion
  • Jim McCarty - drums, backing vocals

King replaces Donahue
(2005–2008)

  • Ben King - lead guitar
  • Chris Dreja - rhythm guitar, backing vocals
  • John Idan - bass, lead vocals
  • Billy Boy Miskimmin - harmonica, percussion
  • Jim McCarty - drums, backing vocals

Glen returns to the band
(2008–2009)

  • Ben King - lead guitar
  • Chris Dreja - rhythm guitar, backing vocals
  • John Idan - bass, lead vocals
  • Alan Glen - harmonica, percussion
  • Jim McCarty - drums, backing vocals

Idan and Glen leave the band
(2009–Present)

  • Andy Mitchell- lead vocals, harmonica
  • Ben King - lead guitar
  • Chris Dreja - rhythm guitar, backing vocals
  • David Smale- bass guitar
  • Jim McCarty - drums, backing vocals


The Yardbirds were an English blues-rock band that evolved into one of the most prolific rock bands in the history of rock n’ roll, Led Zeppelin.

Until next time, remember to support “Live Music”.  It keeps all musicians working.  Your support is appreciated.

MUSICIAN by Night

MusicianByNight_02Small

“Help Keep The Blues Alive”

Saturday, October 6, 2012

Cream (the band)

 

Cream 1966 (L-R) Ginger Baker, Jack Bruce and Eric Clapton

Cream 1966 L-R (Ginger Baker, Jack Bruce and Eric Clapton)

Cream were a 1960s British rock supergroup consisting of bassist/vocalist Jack Bruce, guitarist/vocalist Eric Clapton, and drummer Ginger Baker. Their sound was characterized by a hybrid of blues rock, hard rock and psychedelic rock, combining the psychedelia-themed lyrics, Eric Clapton's blues guitar playing, Jack Bruce's voice and prominent bass playing and Ginger Baker's jazz-influenced drumming. The group's third album, Wheels of Fire, was the world's first platinum-selling double album. Cream are widely regarded as being the world's first successful supergroup. In their career, they sold over 15 million albums worldwide. Cream's music included songs based on traditional blues such as "Crossroads" and "Spoonful", and modern blues such as "Born Under a Bad Sign", as well as more eccentric songs such as "Strange Brew", "Tales of Brave Ulysses" and "Toad". Cream's biggest hits were "I Feel Free" (UK, number 11), "Sunshine of Your Love" (US, number 5), "White Room" (US, number 6), "Crossroads" (US, number 28), and "Badge" (UK, number 18).

Cream 014 (steppin-out)

Cream (steppin-out)

Cream made a significant impact on the popular music of the time, and, along with Jimi Hendrix, and Terry Kath of Chicago, popularized the use of the wah-wah pedal. They provided a heavy yet technically proficient musical theme that foreshadowed and influenced the emergence of British bands such as Led Zeppelin, Deep Purple, and The Jeff Beck Group in the late 1960s. The band's live performances influenced progressive rock acts such as Rush jam bands such as The Allman Brothers Band, Grateful Dead, Phish and heavy metal bands such as Black Sabbath.

Cream 019

 

Cream 009

Cream were inducted into the Rock and Roll Hall of Fame in 1993. They were included in both Rolling Stone and VH1's lists of the "100 Greatest Artists of All Time". They were also ranked number 16 on VH1's "100 Greatest Artists of Hard Rock".

By July 1966, Eric Clapton's career with The Yardbirds and John Mayall & the Bluesbreakers had earned him a reputation as the premier blues guitarist in Britain. Clapton, however, found the environment of Mayall's band confining, and sought to expand his playing in a new band.

Cream 002 (1968)

Cream (1968)

In 1966, Clapton met Ginger Baker, then the leader of the Graham Bond Organization, which at one point featured Jack Bruce on bass guitar, harmonica and piano. Baker felt stifled in the Graham Bond Organization and had grown tired of Graham Bond's drug addictions and bouts of mental instability. "I had always liked Ginger", explained Clapton. "Ginger had come to see me play with the Bluesbreakers. After the gig he drove me back to London in his Rover. I was very impressed with his car and driving. He was telling me that he wanted to start a band, and I had been thinking about it too." Each was impressed with the other's playing abilities, prompting Baker to ask Clapton to join his new, then-unnamed group. Clapton immediately agreed, on the condition that Baker hire Bruce as the group's bassist; according to Clapton, Baker was so surprised at the suggestion that he almost crashed the car.

Cream 008

Clapton had met Bruce when the bassist/vocalist briefly played with The Bluesbreakers in March 1966; the two also had worked together as part of a one-shot band called Powerhouse (which also included Steve Winwood and Paul Jones). Impressed with Bruce's vocals and technical prowess, Clapton wanted to work with him on an ongoing basis.

In contrast, while Bruce was in Bond's band, he and Baker had been notorious for their quarreling. Their volatile relationship included on-stage fights and the sabotage of one another's instruments. After Baker fired Bruce from the band, Bruce continued to arrive for gigs; ultimately, Bruce was driven away from the band after Baker threatened him at knifepoint.

Baker and Bruce put aside their differences for the good of Baker's new trio, which he envisioned as collaborative, with each of the members contributing to music and lyrics. The band was named "Cream", as Clapton, Bruce, and Baker were already considered the "cream of the crop" amongst blues and jazz musicians in the exploding British music scene. Before deciding upon "Cream", the band considered calling themselves "Sweet 'n' Sour Rock 'n' Roll". Of the trio, Clapton had the biggest reputation in England; however, he was all but unknown in the United States, having left The Yardbirds before "For Your Love" hit the American Top Ten.

Cream 013

Cream made its unofficial debut at the Twisted Wheel on 29 July 1966. Its official debut came two nights later at the Sixth Annual Windsor Jazz & Blues Festival. Being new and with few original songs to its credit, Cream performed blues reworking's that thrilled the large crowd and earned it a warm reception. In October the band also got a chance to jam with Jimi Hendrix, who had recently arrived in London. Hendrix was a fan of Clapton's music, and wanted a chance to play with him onstage. Hendrix was introduced to Cream through Chas Chandler, Hendrix's manager.

Cream 026

It was during the early organization that they decided Bruce would serve as the group's lead vocalist. While Clapton was shy about singing, he occasionally harmonized with Bruce and, in time, took lead vocals on some “Cream” tunes including "Four Until Late", "Strange Brew", "World of Pain", "Outside Woman Blues", "Anyone for Tennis", "Crossroads", and "Badge".

 


Fresh Cream:

Cream's debut album, Fresh Cream, was recorded and released in 1966. The album reached number 6 in the UK charts and number 39 in the United States. It was evenly split between self-penned originals and blues covers, including "Four Until Late", "Rollin' and Tumblin'", "Spoonful", "I'm So Glad" and "Cat's Squirrel". The rest of the songs were written by either Jack Bruce or Ginger Baker. ("I Feel Free", a UK hit single, was only included on the American edition of the LP.) The track "Toad" contained one of the earliest examples of a drum solo in rock music.

Cream 017      Cream Sweet 60s

The early Cream bootlegs display a much tighter band showcasing more songs. All of the songs are reasonably short five-minute versions of "N.S.U.", "Sweet Wine" and "Toad". But a mere two months later, the set-list shortened, with the songs then much longer.


Cream – Disraeli Gears

AlbumCoverDisraeliGears

Cream first visited the United States in March 1967 to play nine dates at the RKO Theater in New York. They returned to record Disraeli Gears in New York between 11 May and 15 May 1967. Cream's second album was released in November 1967 and reached the Top 5 in the charts on both sides of the Atlantic. Produced by Felix Pappalardi (who later co-founded the Cream-influenced quartet Mountain) and engineer Tom Dowd, it was recorded at Atlantic Studios in New York. Disraeli Gears is often considered to be the band's defining effort, successfully blending psychedelic British rock with American blues. Disraeli Gears not only features hits "Strange Brew" and "Tales of Brave Ulysses", but also "Sunshine of Your Love".

Cream 006 (in the streets)

The album was originally slated for release in the summer of 1967, but the record label opted to scrap the planned cover and repackage it with a new psychedelic cover, designed by artist Martin Sharp, and the resulting changes delayed its release for several months. The album was remarkable for the time, with a psychedelic design patterned over a publicity photo of the trio.

Cream at the Psychedelic Supermarket in 1967

Cream at the Psychedelic Supermarket in 1967

Although the album is considered one of Cream's finest efforts, it has never been well represented in Cream's live sets. Although they consistently played "Tales of Brave Ulysses" and "Sunshine of Your Love", several songs from Disraeli Gears were quickly dropped from performances in mid-1967, favoring longer jams instead of short pop songs. "We're Going Wrong" was the only additional song from the album the group performed live. In fact, at their 2005 reunion shows in London, Cream played only three songs from Disraeli Gears: "Outside Woman Blues", "We're Going Wrong," and "Sunshine of Your Love." ("Tales of Brave Ulysses" was included in the band's 2005 New York performances, however.)

In August 1967, Cream played their first headlining dates in America, playing at the Fillmore West in San Francisco for the first time. The concerts were a great success and proved very influential on both the band itself and the flourishing hippie scene surrounding them. Upon discovering a growing listening audience, the band began to stretch out on stage, incorporating more time in their repertoire, some songs reaching jams of twenty minutes. Long drawn-out jams in numbers like "Spoonful", "N.S.U.", "I'm So Glad", and "Sweet Wine" became live favourites, while songs like "Sunshine of Your Love", "Crossroads", and "Tales of Brave Ulysses" remained reasonably short.

 


 

Wheels of Fire:

:

Cream performing in 1968

In 1968 came Cream's third release, Wheels of Fire, which topped the American charts. Wheels of Fire studio recordings showcased Cream moving slightly away from the blues and more towards a semi-progressive rock style highlighted by odd time signatures and various orchestral instruments. However, the band did record Howlin' Wolf's "Sitting on Top of the World" and Albert King's "Born Under A Bad Sign". According to a BBC interview with Clapton, the record company, also handling Albert King, asked the band to cover "Born Under a Bad Sign", which became a popular track off the record. The opening song, "White Room", became a radio staple. Another song, "Politician", was written by the band while waiting to perform live at the BBC. The album's second disc featured three live recordings from the Winterland Ballroom and one from the Fillmore. Eric Clapton's second solo from "Crossroads" has made it to the top 20 in multiple "greatest guitar solo"  lists.

Cream 011

After the completion of Wheels of Fire in mid-1968, the band members had had enough and wanted to go their separate ways. Baker stated in a 2006 interview with Music Mart magazine, "It just got to the point where Eric said to me: 'I've had enough of this,' and I said so have I. I couldn't stand it. The last year with Cream was just agony. It damaged my hearing permanently, and today I've still got a hearing problem because of the sheer volume throughout the last year of Cream. But it didn't start off like that. In 1966, it was great. It was really a wonderful experience musically, and it just went into the realms of stupidity." Bruce and Baker's combustible relationship proved even worse as a result of the strain put upon the band by non-stop touring, forcing Clapton to play the perpetual role of peacekeeper.

Clapton had also fallen under the spell of Bob Dylan's former backing group, now known as The Band, and their debut album, Music from Big Pink, which proved to be a welcome breath of fresh air in comparison to the incense and psychedelia that had informed Cream. Furthermore, he had read a scathing Cream review in Rolling Stone, a publication he had much admired, in which the reviewer, Jon Landau, called him a "master of the blues cliché." In the wake of that article, Clapton wanted to end Cream and pursue a different musical direction.

At the beginning of their Farewell Tour on 4 October 1968, in Oakland, nearly the entire set consisted of songs from Wheels of Fire: "White Room", "Politician", "Crossroads", "Spoonful", "Deserted Cities of the Heart", and "Passing the Time" taking the place of "Toad" for a drum solo. "Passing the Time" and "Deserted Cities" were quickly removed from the set-list and replaced by "Sitting on Top of the World" and "Toad".


Goodbye:

Cream were eventually persuaded to do one final album. That album, the appropriately titled Goodbye, was recorded in late 1968 and released in early 1969, after the band had broken up. It featured six songs: three live recordings dating from a concert at The Forum in Los Angeles, California, on 19 October, and three new studio recordings (including "Badge", which was written by Clapton and George Harrison, who also played rhythm guitar as "L'Angelo Misterioso"). "I'm So Glad" was included among the live tracks.

Eric Clapton with Cream 001 (1967)  Cream 031

     Eric Clapton (1967)    Cream in the studio

 


Cream's "farewell tour" consisted of 22 shows at 19 venues in the United States between 4 October and 4 November 1968, and two final farewell concerts at the Royal Albert Hall on 26 November 1968. Initially another double album was planned, comprising live material from this tour plus new studio tracks, but a single album, Goodbye was released instead with three live tracks taken from their performance at The Forum in Los Angeles on 19 October 1968, and three studio tracks, one written by each of the band members. The final U.S. gig was at the Rhode Island Auditorium, 4 November 1968. The band arrived late and, due to local restrictions, they were able to perform only two songs, "Toad" and a 20+ minute version of "Spoonful". Bootlegs of inferior quality exist of the final US Concert.

Ginger Baker at the drumkit in 1980

Ginger Baker at the drumkit

The two Royal Albert Hall concerts were filmed for a BBC documentary and released on video (and later DVD) as Farewell Concert. Both shows were sold out and attracted more attention than any other Cream concert, but their performance was regarded by many as below standard. Baker himself said of the concerts: "It wasn’t a good gig ... Cream was better than that ... We knew it was all over. We knew we were just finishing it off, getting it over with." In an interview from Cream: Classic Artists, he added that the band was getting worse by the minute.

Cream's supporting acts were Taste (featuring a young Rory Gallagher) and the newly formed Yes, who received good reviews. Three performances early in Cream's farewell tour were opened by Deep Purple. Deep Purple had originally agreed to open the entire U.S. leg of the tour, but Cream's management removed them after only three shows, in spite of favorable reviews and good rapport between the bands.


 

Breakup:

Jack Bruce performing in 1972

From its creation, Cream were faced with some fundamental problems that would later lead to its dissolution in November 1968. The rivalry between Bruce and Baker created tensions in the band. Clapton also felt that the members of the band did not listen to each other enough. Equipment during these years had also improved; new Marshall amplifier stacks cranked out more power, and Jack Bruce pushed the volume levels higher, creating tension for Baker who would have trouble competing with roaring stacks. Clapton spoke of a concert during which he stopped playing and neither Baker nor Bruce noticed. Clapton has also commented that Cream's later gigs mainly consisted of its members showing off. Cream decided that they would break up in May 1968 during a tour of the US. Later, in July, an official announcement was made that the band would break up after a farewell tour of the United States and after playing two concerts in London. Cream finished their tour of the United States with a 4 November concert in Rhode Island and performed in the UK for the last time in London on 25 and 26 November. Bruce had three Marshall stacks on stage for the farewell shows but one acted only as a spare, and he only used one or two, depending on the song.

Eric Clapton performing in Barcelona after leaving Cream in 1974

Eric Clapton performing in Barcelona after leaving Cream in 1974

 


2005 ‘Reunion Shows’ in London:

 

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Cream’s ‘Reunion Show’ (2005)

 

Cream 033 (Reunion 2005)

 

Cream’s ‘Reunion Show’ (2005)

 

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2005 Royal Albert Hall and Madison Square Garden ‘Reunion Show’ concerts

Cream reunited for a series of four shows, on 2, 3, 5, and 6 May 2005 at the Royal Albert Hall in London, the venue of their final concerts in 1968, at Clapton's request. Although the three musicians chose not to speak publicly about the shows, Clapton would later state that he had become more "generous" in regard to his past, and that the physical health of Bruce and Baker was a major factor: Bruce had recently undergone a liver transplant for liver cancer, and had almost lost his life, while Baker had severe arthritis.

Tickets for all four shows sold out in under an hour. The performances were recorded for a live CD and DVD. Among those in attendance were Paul McCartney and Ringo Starr, Steve Winwood, Roger Waters, Brian May, Jimmy Page of Led Zeppelin and also Mick Taylor and Bill Wyman. The reunion marked the first time the band had played "Badge" and "Pressed Rat and Warthog" live.

The Royal Albert Hall reunion proved a success on both a personal and financial level, inspiring the reformed band to bring their reunion to the United States. Cream chose to play at only one venue, Madison Square Garden in New York City, from 24–26 October 2005. The shows were marred by some controversy in regard to tickets: the show's promoters had made a deal with credit card company American Express to make tickets available to American Express customers only in an unprecedented week-long pre-sale. The shows were a financial success and received critical praise.

Fans of Cream hoped for a full-scale tour, but a statement from Cream's publicist days after the last performance put the nail in that particular coffin, when it was announced that Cream would not tour the United States. In an interview with Jack Bruce in the December 2005 issue of Bass Player magazine, Bruce hinted that he would like to see Cream continue in one way or another, possibly in the form of a new album, but that a tour was out of the question: "It would be quite a challenge to try to create music that would stand up to the classic songs. I've got a few ideas already—in fact, I wrote a song yesterday that I think would work. I just don't know if it will happen, because we all feel the band is so special we don't want to do it that often, if we go on. We've had offers you wouldn't believe—I didn't believe—for long world tours, and it's tempting. But none of us wants to accept because it would take away from the rarity and special nature of getting together. I'd like to do it every now and again and just play somewhere, but we could do an album amidst that, and I'm going to suggest it."

In an interview with BBC 6 Music in April 2010, Bruce confirmed that there would be no more Cream shows. He said: "Cream is over."


In February 2006, Cream received a Grammy Lifetime Achievement Award in recognition of their contribution to, and influence upon, modern music. They left their mark on the youth of America from the 60’s that has endured to today.  Thank you Eric, Jack and Ginger !!!

Until next, I hope all of you go to Amazon.com and pick-up one of Cream’s albums (CD’s).  They are as follows;


Cream 037 (CapaGoodbye)

”Keep on Rockin’ It Baby”

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MUSICIAN by Night

MusicianByNight_02Small

“And Don’t Forget to Help Keep The Blues Alive”