The Raspberries are a power pop/pop rock band from Cleveland, Ohio in the United States. They had a run of success in the early 1970s with their crisp pop sound that drew influence from the British Invasion era—especially The Beatles, The Who, The Hollies, and The Small Faces—and its mod sensibility.
The group was formed in Mentor, OH, in early 1970 by singer-songwriter Eric Carmen and drummer Jim Bonfanti, local pop heroes thanks to the respective tenures in the hugely popular bands Cyrus Erie and the Choir; guitarist Wally Bryson and bassist John Aleksic (both Choir veterans as well) completed the original lineup, which made its live debut in mid-October.
With their short hair, matching suits, and Beatlesque sound, The Raspberries ran in direct opposition to the prevailing hard rock mentality of the Cleveland scene, but after just a handful of gigs, the band was among the city’s most popular live acts. However, after cutting their first demo session, Aleksic left the lineup in March of 1971, and with the addition of rhythm guitarist Dave Smalley, Carmen assumed bass duties.
The Raspberries’ demo tape ultimately found its way to producer Jimmy Lenner, and in the wake of a major-label bidding war, the band signed to Capitol, issuing their self-titled debut LP (complete with a raspberry-scented scratch-and-sniff cover sticker) in the spring of 1972. The debut single “Don’t Want to Say Goodbye,” stalled, but the follow-up, “Go All the Way,” a magnificent fusion of Who-inspired guitar snarl and Beach Boys-styled vocal harmonies, went on to sell over a million copies on its way to cracking the Top Five.
Carmen and Smalley swapped guitar and bass chores prior to recording The Raspberries’ sophomore effort, 1972’s Fresh; the record generated two more hits, “I Wanna Be with You” and the beautiful “Let’s Pretend,” and solidified the band’s stature as critical favorites. Nevertheless, tension within the ranks — sparked largely by Carmen’s creative primacy and the shadow it cast over the songwriting contributions of Bryson and Smalley — were beginning to boil over, and accordingly 1973’s Side 3 boasted a more raw, aggressive sound than its predecessors, typified by the visceral crunch of the opening “Tonight.”
Side 3 failed even to crack the Top 100, however, and following a triumphant Carnegie Hall date, both Smalley and Bonfanti exited The Raspberries to form their own band, Dynamite. They were replaced by bassist Scott McCarl and ex-Cyrus Erie drummer Michael McBride.
1974’s acclaimed Starting Over continued the harder-edged approach of Side 3, yielding the band’s final chart smash, the superb “Overnight Sensation (Hit Record).” A nasty post-gig confrontation between Carmen and Bryson soon resulted in the latter’s departure from the group, and after playing a handful of shows as a three-piece, The Raspberries disbanded in 1975. Carmen then mounted a solo career, tapping McBride to play drums on his self-titled debut LP, which launched the number two blockbuster “All by Myself.” He did not return to the upper rungs of the charts for over a decade, however, scoring a major hit in 1987 with his Dirty Dancing soundtrack contribution “Hungry Eyes.” “Make Me Lose Control” reached the number three spot a year later. Bryson, meanwhile, resurfaced in the short-lived Tattoo before joining the power pop group Fotomaker for three albums during the late ’70s.
The Raspberries, in concert at the State Theatre, Cleveland, Ohio, 2009
In March of 1999, all four original members (Smalley, Carmen, Bryson, and Bonfanti) met up for the first time in years sparking rumors of an impending reunion. A few months later (after three of the four members played together onstage in Cleveland to celebrate the 80th birthday of rock journalist Jane Scott), a Raspberries reunion tour was confirmed as fact by Billboard Magazine. Unfortunately for fans, the reunion failed to materialize. Carmen continues to write and record as a solo artist, while Bryson, Smalley, and latter-day member Scott McCarl have opted to resurrect The Raspberries name as a trio — issuing the album Refreshed in 2000.
As stacks of Eric Carmen: Marathon Man was rolling off the presses, the dream that Eric Carmen, Wally Bryson, Dave Smalley and Jim Bonfanti would ever find themselves in a room together again, let alone reunite to perform was as likely as the Titanic rising from its ocean depths.
Ladies and gentlemen, I present for you the Titanic arisen.
“If not now, then when?” was the quote that brought the mighty liner to the surface after decades in an icy grave. Raspberries guitarist Wally Bryson was overheard making that statement as he agreed to the plan via phone with Raspberries lead singer Eric Carmen on an evening in July 2004. Drummer Jim Bonfanti was already on board, and bassist Dave Smalley embarked shortly thereafter. The rest as they say, is history.
The original band members rehearsed in a rented space just outside of Cleveland, Ohio. They quickly re-learned all of their biggest hits and reacquainted themselves with their chops. For all four musicians, it was like time had stood still. They were back together again, only this time, for good.
The Raspberries first considered a reunion four years ago, but Eric says the offer from promoters would not have allowed the band to put on a show with the production values it felt its fans deserved. “My caveat has always been that there’s a mythology about the band, and I don’t want to burst that bubble. If we couldn’t put on a good concert, I didn’t want to do it.” But after playing House of Blues clubs with Ringo Starr in 2001, Eric loved the venues’ vibe. So when the House of Blues approached him about a reunion show in Cleveland, “I thought if ever we were going to do it, this is the time.”
“It’s kind of fun to look around after all these years and see these people, who were my fellow musicians and my friends, working together again. And it sounds like us,” says Dave. “Our fans have just not given up,” adds Wally. “I’ve said it wouldn’t happen, but they’ve been so persistent and loyal. I think we all kind of got the same feeling: ‘Let’s go and do this before we’re freaking 95.’
“The intention initially was just to play one show,” Eric explains. “As we started rehearsing, a number of very interesting things happened—not the least of which was, we sold this first show out in four minutes. It totally knocked the House of Blues for a loop.” So, now they’re back, and the consensus is that they sound better than they did back in the ’70s.
Their long-awaited and welcomed live reunion can be found on the 2007 release “Raspberries Live On The Sunset Strip.”
Their last reunited performance was at Cleveland’s Rock and Rock Hall Of Fame in April 2009. Let’s hope there’s more to come!
The Raspberries with Paul Stanley of KISS
December 2005
Edited by IRONICtypo on 24 Feb 2012, 22:02
My friends and I were driving down the road after lunch yesterday and a song came on the radio that none of us could identify. So I got out my trusty SAMSUNG Galaxy smart phone and used my SHAZAM app and it identified the song as “Go All The Way” by The Raspberries.
We all were quite surprised because none of us have heard anything about The Raspberries for years now so I told them that I would do some investigative work and publish a post on my blog about them and I did just that.
I learned an awful lot about The Raspberries and Eric Carmen’s music career after their breakup in 1975. Most of all, I learned that they are from Cleveland, Ohio, just 90 miles from Erie, Pennsylvania where I grew up and started my music career in the early-to-mid 70’s. After graduating high school from Tech Memorial, I worked very hard to make my professional career in music and I played with my band “JORDAN” in Cleveland many times and didn’t even know that The Raspberries were one of their home-town bands.
I hope you enjoyed this post and learned as much about The Raspberries as I did. They were one of my favorite Pop-Rock bands back then so it is nice to go back in time and reminisce about what I was doing when their songs were playing. I know that this took me on a side track from my normal Blues and Blues-Rock style of bands and solo artists who I typically write about, however it is nice to remember those pop-rock and rock-n-roll bands of early who paved the way for much of the music we listen to today.
Until next time, “Keep On Rockin’ Me Baby” and please remember to “Support LIVE Music” . . .
“Help Keep Your Local Musicians Working”.
MUSICIAN by Night
“Help Keep The Blues & Blues Rock Alive”
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