Friday, January 10, 2014

R.I.P. Alvin Lee ("The Fastest guitarist in the West")

 

Alvin Lee 001

On May 28th, 2012, Alvin Lee played what sadly proved to be his last live show at a festival in Holland. Backed by Pete Pritchard on bass and Richard Newman on drums, Alvin and the band were described by all in attendance as being on fire that night, playing one of the finest shows of his long and impressive career. Luckily, the show was recorded in its entirety and now, thanks to the efforts of his family, we well all get the opportunity to experience the magic of Alvin Lee one more time.


Alvin Lee 000

 

Alvin Lee (born Graham Anthony Barnes,  December 19th, 1944 – 6 March 2013) was a British guitarist and singer, best known as the lead guitarist and singer with the blues-rock/pop band Ten Years After.

 

He was born in Nottingham and attended the Margaret Glen-Bott School in Wollaton which was a precursor to Comprehensive Schools with grammar and secondary modern streams. He began playing guitar at the age of 13, and with Leo Lyons formed the core of the band Ten Years After in 1960. Influenced by his parents' collection of jazz and blues records, it was the advent of rock and roll that sparked his interest, and guitarists such as Chuck Berry and Scotty Moore provided his inspiration.

Alvin Lee and The Jaycats became The Jaybirds in 1962

Alvin Lee and “the Jaycats” became “The Jaybirds” in 1962


Lee began to play professionally in 1962, in a band named the Jaybirds, who enjoyed popularity in their native England, but moved on to seek a wider fan-base. They began that year to perform in the Star-Club in Hamburg, Germany, following closely behind The Beatles. There, with Alvin Lee assuming the permanent role of lead vocalist in addition to that of lead guitarist, they began to build a following. It was not until the band moved to London in 1966 and changed its name, first to Jaybird, dropping 'The' and 's' to make it sound more contemporary; then to Blues Yard (for one gig at the Marquee Club); and finally to Ten Years After, that international success beckoned.

Alvin Lee and Ten Years After (1967-2008)      Alvin Lee 004

The band secured a residency at the Marquee Club, and an invitation to the Windsor Jazz & Blues Festival in 1967 led to their first recording contract. The self-titled début album received airplay on San Francisco's underground music radio stations and was embraced by listeners, including concert promoter Bill Graham, who invited the band to tour the United States for the first time in 1968. Ten Years After would ultimately tour the US twenty-eight times in seven years – more than any other UK band.

Alvin Lee in 1978

Lee's performance at the Woodstock Festival was captured on film in the documentary of the event, and his 'lightning-fast' playing helped catapult him to stardom. Soon the band was playing arenas and stadiums around the globe. The film brought Lee's music to a worldwide audience, although he later lamented that he missed the lost freedom and spiritual dedication with his earlier public.

TEN YEARS AFTER with ALVIN LEE 002

Lee was named "the Fastest guitarist in the West", and considered a precursor to shred-style playing that would develop in the 1980s.

 


Ten Years After in 1970 . . .     Alvin Lee of Ten Years After 002

Ten Years After had success, releasing ten albums together, but by 1973, Lee was feeling limited by the band's style. Moving to Columbia Records had resulted in a radio hit song, "I'd Love To Change the World", but Lee preferred blues-rock to the pop to which the label steered them. He left Ten Years After after their second Columbia LP. With American Christian rock singer Mylon LeFevre and George Harrison, Steve Winwood, Ronnie Wood and Mick Fleetwood, he recorded and released On the Road to Freedom, an acclaimed album that was at the forefront of country rock.

Alvin Lee and On The Road To Freedom

Also in 1973 he sat in on the Jerry Lee Lewis double album The Session recorded in London featuring many other guest stars including Albert Lee, Peter Frampton and Rory Gallagher. A year later, in response to a dare, Lee formed Alvin Lee & Company to play a show at the Rainbow in London and released it as a double live album, In Flight. Various members of the band continued on with Lee for his next two albums, Pump Iron! and Let It Rock. In late 1975, he played guitar for a couple of tracks on Bo Diddley's The 20th Anniversary of Rock 'n' Roll all-star album.

Ten Years Later (Alvin Lee, Andy Pyle, Tim Hinkley & Bryson Graham)

(Alvin Lee, Andy Pyle, Tim Hinkley, Bryson Graham)

He finished out the 1970s with an outfit called "Ten Years Later" which released two albums, Rocket Fuel (1978) and Ride On (1979), and toured extensively throughout Europe and the United States.


Alvin Lee 002

The 1980s brought another change in Lee's direction, with two albums that were collaborations with Rare Bird's Steve Gould, and a tour with the former John Mayall and Rolling Stones' guitarist Mick Taylor joining his band.

 


ALVIN LEE @ Ribs & Blues ’12

Lee's overall musical output includes more than twenty albums, including 1985's Detroit Diesel, 1989's About Time (Ten Years After album), recorded in Memphis with producer Terry Manning, and the back to back 1990s collections of Zoom and Nineteen Ninety-Four (US title I Hear You Rockin' ). Guest artists on both albums included George Harrison.

 


Alvin Lee – Still On The Road To Freedom (2012)

In Tennessee, recorded with Scotty Moore and D. J. Fontana, was released in 2004. Lee's last album, “Still on the Road to Freedom”, was released in September of 2012.

 

 


Lee then died on March 6th of 2013 in Spain. According to his website, he died from "unforeseen complications following a routine surgical procedure". He was 68 years old. His former bandmates lamented his death. Leo Lyons called him "the closest thing I had to a brother", while Ric Lee (no relation) said "I don't think it's even sunk in yet as to the reality of his passing".


Ten Years After - I'd Love To Change The World

 

Billboard highlighted such landmark performances as "I'm Going Home" from the Woodstock festival and his 1971 hit single "I'd Love to Change the World".

 

 


 

Alvin Lee performing in Breda, Turfschip, the Netherlands, 1978

Alvin Lee’s Discography  

  • On the Road to Freedom (with Mylon LeFevre, 1973)
  • In Flight (1974)
  • Pump Iron! (1975)
  • Let It Rock (1978)
  • Rocket Fuel (1978)
  • Ride On (1979)
  • Free Fall (1980)
  • RX5 (1981)
  • Detroit Diesel (1986)
  • Zoom (1992)
  • Nineteen Ninety-Four (1994)
  • In Tennessee (2004)
  • Saguitar (2007)
  • Still on the Road to Freedom  (2012)
  • The Last Show  (28 May 2012, Raalte Holland)

_______________________________________________________________________

 

TEN YEARS AFTER with ALVIN LEE 002 (A Space in Time)  Ten Years After Discography  

Current Members
  • Leo Lyons – bass (1966–1974, 1983, 1988–present)
  • Chick Churchill – keyboards (1966–1974, 1983, 1988–present)
  • Ric Lee – drums (1966–1974, 1983, 1988–present)
  • Joe Gooch – guitar, vocals (2003–present)
Former Members
  • Alvin Lee – guitar, vocals, harp (1966–1974, 1983, 1988–2003; died 2013)
  • Dave Quickmire – drums (1962-1965) The Jaybirds
  • Pete Evans – drums (1960-1962) Ivan Jay and the Jaycats

TEN YEARS AFTER with ALVIN LEE 007

Ten Years After are an English blues-rock band, most popular in the late 1960s and early 1970s. Between 1968 and 1973, Ten Years After scored eight Top 40 albums on the UK Albums Chart. In addition they had twelve albums enter the US Billboard 200, and are best known for tracks like "I'm Going Home", "Hear Me Calling", "Rock 'n Roll Music to the World", "I'd Love to Change the World" and "Love Like a Man".

Alvin Lee, August 1971

The band's core formed in late 1960 as Ivan Jay and the Jaycats. After several years of local success in the Nottingham/Mansfield, known since 1962 as the Jaybirds and later as Ivan Jay and the Jaymen, Alvin Lee and Leo Lyons founded Ten Years After. Ivan Jay sang lead vocals from late 1960 to 1962 and was joined by Ric Lee in August 1965, replacing drummer Dave Quickmire, who had replaced Pete Evans in 1962.

Albums/CD’s by the band “Ten Years After”

  • Ten Years After,  Deram (1967)
  • Stonedhenge,  Deram (1969)
  • Ssssh,  Deram (1969)
  • Cricklewood Green,  Deram (1970)
  • Watt,  Deram (1970)
  • A Space in Time ,  Columbia (1971)
  • Rock & Roll Music to the World,  Columbia (1972)
  • Positive Vibrations,  Columbia (1974)
  • About Time,  Chrysalis Records (1989)
  • Now,  (2004)
  • Evolution,  (2008)
  • Undead,  Deram (1968)
  • BBC Sessions, 1967–1968 (LIVE) Columbia(1973)
  • Live at the Fillmore East 1970 (double live album)  (2001)
  • One Night Jammed (Live),  (2003)
  • Roadworks (double live album),  (2005)
  • Live at Fiesta City (live DVD),  (2009)
Compilations
  • Double Deluxe (1970)
  • Ten Years After (1971)
  • Alvin Lee and Company (Deram, 1972)
  • Going Home (Deram, 1975)
  • Classic Performances of (Columbia, 1976)
  • London Collector – Greatest Hits (London, 1977)
  • Profile (1979)
  • Ten Years After (1980)
  • Timewarps (1983)
  • The Collection (1985)
  • At Their Peak (1987)
  • Universal (1987) (Chrysalis Records)
  • Portfolio: A History (1988)
  • The Collection (1991)
  • Essential (1991)
  • Pure Blues (1995)
  • I'm Going Home (1996)
  • Premium Gold Collection (1998)
  • The Best of (2000)
  • Very Best Ten Years After Album Ever (2001)
  • Ten Years After Anthology (2002)

 


Until next time, remember to help “SUPPORT LIVE MUSIC” . . .

Thomas-J.-West-Music-Blog-Jazz_thumb


MUSICIAN by Night

MusicianByNight_02Small_thumb1_thumb

GOD Save “The Blues”

Every-Friday--Saturday-is-Band-Night[1]

Every Friday and Saturday night we sing “The Blues” . . .

Thursday, January 5, 2012

Famous Guitars of Bluesman . . .

by Play Blues Guitar

(Learn blues guitar from the ground up)

Published:  September 8th, 2008


When it comes to music, the instrument is often an extension of the player behind it. The blues definitely agrees. Some of the famous blues guitarists have unique and recognizable guitars. Some styles of guitars even bring to mind their respective players. Without further ado, here are a few of the famous guitars of famous bluesmen.
bb kind lucille guitar  B.B. King 068_Lucille
‘Lucille’ played by B.B. King

The famous story behind the famous name is that one night in 1949, B.B. was playing in a bar when two men got into a fight over a girl and knocked over a kerosene heater (basically a barrel full of lit kerosene). The place went up in flames and everyone ran out. However, B.B. realized that he left his guitar inside and ran to save it. He nearly lost his life, but named his guitar and subsequent guitars Lucille after the girl the two men fought over.

The modern and most famous iteration of Lucille is a custom black Gibson ES-355 with Lucille printed on the headstock. B.B. has been playing this version for nearly 25 years. It’s pictured here.


eric guitar Eric Clapton 028 Eric Clapton 037
‘Blackie’ played by Eric Clapton

Arguably the most famous Fender Stratocaster ever, ‘Blackie’ was the nickname for a Frankenstein of a guitar assembled by Eric from three different Strats. Purchased from Sho-Bud guitar shop in Nashville, Tennessee, he combined the best components to create ‘Blackie’. Eric played it live and in the studio from its creation in 1970 to 1985, when he retired Blackie. Contrary to the many rumors that state otherwise, ‘Blackie’ was reportedly 100% playable during her retired years.

‘Blackie’ was sold at an auction for a record $959,500 to the Guitar Center, who proudly displays the guitar.


srv guitar       Stevie Ray Vaughan 036
‘Number One’ played by Stevie Ray Vaughan

Stevie Ray’s ‘Number One’ was a 1973 sunburst model traded for at Ray’s Music Exchange in Austin, Texas with Stevie’s old ’63 strat. Beaten and bastardized, the guitar remained his main axe since that day. Although the original had a white pickguard and strangely hot ’59 pickups, Stevie replaced the pickguard with a pickguard featuring the now famous SRV lettering. Remarkably, Stevie had the frets replaced with jumbo bass style frets while he played on a reportedly .013 gauge high E string. (Stevie often changed the high E from a .013 to a .012 or .011 because of how much damage the .013 caused to his fingers.)

‘Number One’ now resides with Stevie’s brother Jimmie. It’s been permanently retired in memory of Stevie.


guy guitar  Buddy Guy's Signature Fender Stratocaster  Buddy Guy
‘Polka Dot Strat’ played by Buddy Guy

While not as famous as the other listed here, this guitar deserves recognition if only for its unique paint job. Comprised of white polka dots on a black finish, this strat has been serving as Buddy Guy’s main guitar for years now. Originally a custom artist series, made especially for Buddy, Fender has recently created a similar guitar with an inverted paint scheme and lace sensors.

The Polka Dot Strats remain road worthy and accompany Buddy to most of his live shows.


rory left  Cruzsidebyside (1)  Rory Gallagher 002
‘Ex-Sunburst’ played by Rory Gallagher

Called the ‘Ex-Sunburst’ by fans for its lack of a finish (worn away by heavy use and sweating) as much as for Rory’s refusal to give it a name, this famous guitar happens to be one of the first Fender Strats in Ireland in 1961. Rory bought it for an estimated £100. Heavily modified, the guitar had one different tuner, all new pickups, and modified pickguard.

The ‘Ex-Sunburst’ resides with Rory’s brother, Donal Gallagher. It isn’t played.


It’s so important to the semi-pro as well as the professional guitarist to feel that bond with at least one of their guitars; even when they typically have some type of collection of a variety of guitars that they can choose from on every gig.  It is that one special ax that over the years has become their staple or icon that they feel most comfortable playing.  Of course the top artists are given guitars from major instrument lines such as Gibson, Fender, PRS or Yamaha to play LIVE on stage so they get the notoriety of the artist’s approval and the artist has the opportunity to try a multitude of different, newer models. But they always turn back to their ‘Old-Faithful’ sometime during their gig.  It’s pretty typical of all of them.

DSC01028 (2)

I hope you enjoyed this post; I urge you to write me with any comments or suggestions you may have for anything else that you would like me to cover.  I want 2012 to be a powerful year for ‘Musician By Night’ and without your input, it’ll never happen.

Therefore, until next time ~


Musician By Night . . .

MusicianByNight_01-Large