Eddie James "Son" House, Jr. (March 21, 1902 – October 19, 1988) was an American blues singer and guitarist. Pioneering an innovative style featuring strong, repetitive rhythms, he often played with the aid of a slide guitar, and his singing often incorporated elements of southern gospel and spiritual music. House never learned guitar until he was in his early twenties, as he had been "churchified", and was determined to become a Baptist preacher. He associated himself with Delta blues musicians such as Charlie Patton and Willie Brown, often acting as their sideman. In 1930, House made his first recordings for Paramount Records during a session with Charlie Patton. However, these did not sell well due to the Great Depression, and he drifted into obscurity. He was then recorded by John and Alan Lomax for the Library of Congress in 1941 and '42; afterwards, he moved north to Rochester, New York, where he remained until his rediscovery in 1964, spurred by the American folk blues revival. Over the next few years, House recorded several studio albums and went on various tours until his death in 1988. His musical influence has extended over a wide variety of musicians, including blues artist such as Robert Johnson, John Hammond, Alan Wilson (of Canned Heat), Bonnie Raitt, The White Stripes, and John Mooney.
The middle of three brothers, House was born in Riverton, two miles from Clarksdale, Mississippi. Around age seven or eight, he was brought by his mother to Tallulah, Louisiana, after his parents separated. The young Son House was determined to become a Baptist preacher, and at age 15 began his preaching career. Despite the church's firm stand against blues music and the sinful world which revolved around it, House became attracted to it and taught himself guitar in his mid 20s (after moving back to Clarksdale, MS) inspired by the work of Willie Wilson.
After killing a man, allegedly in self-defense, he spent time at the Mississippi State Penitentiary (Parchman Farm) in 1928 and 1929. The official story on the killing is that sometime around 1927 or 1928, he was playing in a juke joint when a man went on a shooting spree. Son was wounded in the leg, and shot the man dead. He received a 15-year sentence at Parchman Farm prison, of which he served two years. He then moved to Lula, Mississippi, where he first met Charlie Patton and Willie Brown (around this same time, he also met Robert Johnson). The three began playing alongside each other during local gigs
Robert Johnson (May 8, 1911 - August 16, 1938) American Blues singer and guitarist
In 1930, Art Laibly of Paramount Records traveled to Lula to convince Patton to record several more sides in Grafton, Wisconsin. Along with Patton came House, Brown, and pianist Louise Johnson, who would all end up recording sides for the label. House recorded nine songs during that session, eight of which were released; but these were commercial failures, and House would not record again commercially in 35 years. House continued to play with Patton and Brown, even after Patton's death in 1934. During this time, House worked as a tractor driver for various plantations around the Lake Comororant area.
Alan Lomax first recorded House for the Library of Congress in 1941. Willie Brown, mandolin player Fiddlin' Joe Martin, and harmonica player Leroy Williams played with House on these recordings. Lomax returned to the area in 1942, where he recorded House once more. He then faded from the public view, moving to Rochester, New York in 1943, working as a railroad porter for the New York Central Railroad and as a chef.
In 1964, after a long search of the Mississippi Delta region by Nick Perls, Dick Waterman and Phil Spiro, he ended up being "rediscovered" in Rochester, NY. House had been retired from the music business for many years, and was unaware of the 1960s folk blues revival and international enthusiasm regarding his early recordings.
He subsequently toured extensively in the US and Europe and recorded for CBS Records. Like Mississippi John Hurt, he was welcomed into the music scene of the 1960s and played at the Newport Folk Festival in 1964, the New York Folk Festival in July 1965, and the October 1967 European tour of the American Folk Festival along with Skip James and Bukka White.
The young guitarist Alan Wilson (Canned Heat) was one of Son House's biggest fans. The producer John Hammond Sr. asked Alan Wilson, who was just 22 years old, to teach "Son House how to play like Son House," because Alan Wilson had such a good knowledge of the blues styles. The album The Father of Delta Blues - The Complete 1965 Sessions was the result. Son House played with Alan Wilson live. It can be heard on the album John the Revelator: The 1970 London Sessions.
In the summer of 1970, House toured Europe once again, including an appearance at the Montreux Jazz Festival; a recording of his London concerts was released by Liberty Records. He also played at the two Days of Blues Festival in Toronto in 1974.
Ill health plagued his later years and in 1974 he retired once again, and later moved to Detroit, Michigan, where he remained until his death from cancer of the larynx. He was buried at the Mt. Hazel Cemetery. Members of the Detroit Blues Society raised money through benefit concerts to put a monument on his grave. He had been married five times
Son House is another influential Delta blues singer and guitarist that you should listen to when you get the opportunity. Here’s a complete list of his albums (CD’s) that you may want to pick-up the next time you’re at your local music store or if you chose to use http://www.Amazon.com like we do in our family.
Once again, until next time;
Musician By Night . . .
Thanks for featuring Son House on your blog! It's always great to see this blues master remembered.
ReplyDeleteI'm the biographer of Alan Wilson, who retaught Son his material in the 1960s. If I could respectfully make a correction: it was not John Hammond who requested Alan Wilson's assistance with Son House. Wilson's work with House, reteaching him to play his old music, had already occurred by the time House entered the recording studio.
Wilson had been involved with House since his initial rediscovery. Phil Spiro was Wilson's roommate and Dick Waterman had been a friend for some time. The time period between House's rediscovery and his Columbia recording session was when Wilson "tutored" him. Hammond, in fact, was uncertain of Wilson when they first met, and was reluctant to have him accompany House during the sessions. Fortunately, Dick Waterman convinced him of Wilson's abilities, and Wilson ended up on the record as we can now hear.
If you'd like to read the full story of House's rediscovery, I recommend the new book, "Preachin' the Blues", by Daniel Beaumont. To learn the complete details of Wilson's involvement, as well as his work with other blues masters and with Canned Heat, I hope you'll check out my biography, "Blind Owl Blues". It's available at my website, http://blindowlbio.com.
Thanks very much for featuring Son House here! I truly appreciate it.