Otis Rush (born April 29, 1935 in Philadelphia, Mississippi) is a blues musician, singer and guitarist. His distinctive guitar style features a slow burning sound and long bent notes. With similar qualities to Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and became an influence on many musicians including Michael Bloomfield and Eric Clapton.
Rush is left-handed and, unlike many other left-handed guitarists, plays a left-handed instrument strung upside-down with the low E string at the bottom. He played often with the little finger of his pick hand curled under the low E for positioning. It is widely believed that this contributes to his distinctive sound. Other guitarists who restrung upside down include Albert King, Doyle Bramhall II, and Dick Dale. He has a wide-ranging, powerful tenor voice.
After moving to Chicago, Illinois in 1948, Rush made a name for himself playing in clubs on both the South Side and West Side blues scenes. From 1956 to 1958, he recorded for the Cobra Records and released eight singles, some featuring Ike Turner or Jody Williams on guitar. His first single "I Can't Quit You Baby" in 1956 reached No. 6 on Billboard's R&B chart. During his tenure with Cobra, he recorded some of his well known songs such as "Double Trouble" and "All Your Love (I Miss Loving)."
After Cobra Records went bankrupt in 1959, Rush landed a recording contract with Chess in 1960. He recorded eight tracks for the label, four of which were released on two singles that year. Six tracks including the two singles later came out on "Door To Door" album in 1969, a compilation also featuring Chess recordings by Albert King.
He also went into the studio for Duke Records in 1962, but only one single "Homework/I Have to Laugh" was issued from the label. It also received a release in Great Britain on Vocalion VP9260 in 1963. In 1965, he recorded for Vanguard which can be heard on the label's compilation album, Chicago/The Blues/Today! Vol.2.
In the 1960s, Rush began playing in other cities in the U.S. and also to Europe, most notably the American Folk Blues Festival.
In 1969, the album Mourning in the Morning was released on Cotillion Records. Recorded at the FAME Studios in Muscle Shoals, Alabama, the album was produced by Michael Bloomfield and Nick Gravenites (then of Electric Flag). The sound that incorporated soul and rock was a brand new direction for Rush.
In 1971, Rush recorded the album Right Place, Wrong Time in San Francisco, California for Capitol Records, but Capitol decided not to release it. The album was finally released in 1976 when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records released it in the U.S. soon after. The album generally has since gained a reputation as one of the best works by Rush.
In the 1970s, he also released some albums on Delmark Records and also from Sonet Records in Europe, but by the end of the decade he stopped performing and recording.
Otis Rush performing in 2002
Rush made a come back in 1985 making a U.S. tour and releasing the live album, Tops, recorded at the San Francisco Blues Festival.
In 1994, Rush released Ain't Enough Comin' In, the first studio album in 16 years. Any Place I'm Goin' followed in 1998, and Rush earned his first Grammy Award for Best Traditional Blues Album in 1999.
Though he has not recorded a new studio album since 1998, he continued to tour and perform. In 2002, he was featured on the Bo Diddley tribute album Hey Bo Diddley - A Tribute!, performing the song "I'm A Man".
However, he suffered a stroke in 2004 which has kept him from performing since. In 2006, Rush released his latest CD, Live and From San Francisco on Blues Express Records, a live recording from 1999. Video footage of the same show was released on the DVD Live Part 1 in 2003.
Rush has two daughters and two sons from a previous marriage and 2 daughters from his second marriage, Lena and Sophia.
Otis Rush is another influential American blues rock guitarist, singer and songwriter that, if you really love blues-rock, you should listen to when you get the opportunity. Here are some of his albums (CD’s) that you may want to pick-up the next time you’re at your local music store or should you choose to purchase them from http://www.Amazon.com .
As I continue my search for other influential blues and blues-rock artists from the late 1800’s to current times, should you be interested in anyone in particular, just let me know be leaving a comment and I’ll do all the research, then publish a post in the artists name.
Once again, I’d really enjoy and encourage you to leave your comments and suggestions on any post. It would truly help me build a more reader friendly site for all to enjoy. So please feel free to leave a comment (now and then), if you like what you read, or have any constructive ideas you’d like to share with me so I can build a better (active) site for all readers to enjoy and share with their friends.
My original goal for this site was for me to gain knowledge about today’s professional artists, their music and the musical equipment used by such artists, from all of you. This includes any local guitarist who may happen to be playing in a jazz or blues band. I on the other hand want to share with you all of my guitar lesson ideas, tricks and knowledge about guitarists and equipment from my past with all of you. There’s so much to learn and share with each other . . . . .
Well I hope you understand what I was trying to say, if so, I look forward to your input and ideas. Once again, until next time;
Musician By Night . . .
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