A  postwar Chicago blues scene without the magnificent contributions of Muddy  Waters is absolutely unimaginable. From the late '40s on, he eloquently defined  the city's aggressive, swaggering, Delta-rooted sound with his declamatory  vocals and piercing slide guitar attack. When he passed away in 1983, the Windy  City would never quite recover. 
 
Like many of his contemporaries on the  Chicago circuit, Waters was a product of the fertile Mississippi Delta. Born  McKinley Morganfield in Rolling Fork, he grew up in nearby Clarksdale on  Stovall's Plantation. His idol was the powerful Son House, a Delta patriarch  whose flailing slide work and intimidating intensity Waters would emulate in his  own fashion.  
 
 
 
Muddy Waters and his string band  
in the studio 
 
Musicologist Alan Lomax  traveled through Stovall's in August of 1941 under the auspices of the Library  of Congress, in search of new talent for purposes of field recording. With the  discovery of Morganfield, Lomax must have immediately known he'd stumbled across  someone very special. 
 
 
 
 
Muddy Waters Promo Photograph  
 
Setting up his portable recording rig in the Delta  bluesman's house, Lomax captured for Library of Congress posterity Waters'  mesmerizing rendition of "I Be's Troubled," which became his first big seller  when he recut it a few years later for the Chess brothers' Aristocrat logo as "I  Can't Be Satisfied." Lomax returned the next summer to record his  bottleneck-wielding find more extensively, also cutting sides by the Son Simms  Four (a string band that Waters belonged to). 
 
 
 
Waters was renowned for his  blues-playing prowess across the Delta, but that was about it until 1943, when  he left for the bright lights of Chicago. A tiff with "the bossman" apparently  also had a little something to do with his relocation plans. By the mid-'40s,  Waters' slide skills were becoming a recognized entity on Chicago's south side,  where he shared a stage or two with pianists Sunnyland Slim and Eddie Boyd and  guitarist Blue Smitty. Producer Lester Melrose, who still had the local  recording scene pretty much sewn up in 1946, accompanied Waters into the studio  to wax a date for Columbia, but the urban nature of the sides didn't electrify  anyone in the label's hierarchy and remained unissued for  decades. 
 
  
 
Sunnyland Slim played a large role in launching the career of  Muddy Waters. The pianist invited him to provide accompaniment for his 1947  Aristocrat session that would produce "Johnson Machine Gun." One obstacle  remained beforehand: Waters had a day gig delivering Venetian blinds. But he  wasn't about to let such a golden opportunity slip through his talented fingers.  He informed his boss that a fictitious cousin had been murdered in an alley, so  he needed a little time off to take care of business.  
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Muddy Waters 
 
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I want to wish everyone a HAPPY 4th of JULY and remind you to  
 
 
 
"Keep Your Boogie On" 
 
 
Until next time,  
 
 
 
MUSICIAN by Night 
 
 
  
 
 
 
 
"Help Keep The Blues Alive" 
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